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Following the continuous play CD format, the opening track Future s Past really sets the emotional and structural tone for the next 50 minutes. Coming on like a funked-up John Carpenter movie theme, it s cinematic, big room techno at its best. The slow, rhythmic pulse of distant machinery is abruptly punctuated by dramatic synth stabs, before a staccato micro-melody tentatively enters the frame. Unassuming at first, this nervous little riff morphs through several different stateses over the following nine minutes with a seriously jacking groove in tow, before finally succumbing to the darkness. Epic in proportions, Confession is without doubt one of the major achievements on show here and continues the expansive theme. Timeless techno strings that drift in to dominate the first half of the track, while the lush sounds capes, hypnotic melodies and edgy peripheral efx combine to create a structurally complex, symmetrical arrangement that continually constructs and deconstructs before finally returning to its point of origin and dramatically folding in on itself. The first single, Signs, has figured heavily in Richie Hawtin s recent sets. The understated introduction with its deep, funky bassline, loose hihat groove and sci-fi vocal efx soon makes way for the urgent, cavorting melody that bounds forward until the massive, resonating synthetic bass drops, wiping out everything in its path. Things start to get really interesting from a rhythmic standpoint as the subtle introduction of disco and Caribbean influenced time signatures give a new dimension to the chugging groove, offering the perfect foil to the sonic mayhem overhead. In a similar fashion, Out of Here employs a crazy swing beat groove in tandem with the fragile, otherworldly main motif. The initial friction between these fractured elements is soon forgotten as Heartthrob drops a few more unifying sequences into the mix and the gravitational pull becomes too good to ignore. MINUS Multimedia GmbH Gaudystr. 26

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Here it is at last, the new Miso single this time it’s by the lovely Swedish chaps..Markus Enochson and The Subliminal Kid the track is a; tough yet deep, strange yet beautiful and awesome yet killer dancefloor monster plenty acid noises, chunky stabs not the boring ones tho and a hypnotic vocal loop .it comes in 4 varieties the original mix, the Markus and Subliminal kid dub and a Charles Webster mix and a CW edit of the boys’ mix download only something for all occasions we are sure Anyway enough of my yakin’ .

MISO09 in the media

ALEX FROM TOKYO Innervisions : “ «I have been totally hooked to the Charles Webster remix of «These won’t put me down» since I got back from Tokyo completely spacing out and going through all the new music I have downloaded and bought while I was in Tokyo. I have been listening to this absolutely fantastic remix over and over again. It is so beautiful and melancholic, I am loving it I will definitely play it tonite for the first time at my weekly residency at 105 Rivington in NYC. The original and the other remix are great too, on the dirtier raw ravey kind of track vibe which will do well too Thank you so much. Worldwide support for sure » ”

Ame innervisions : “ «love your CW remix played it in Zukunft Z rich this weekend … massive reactions…..thx ,,,,,,love the ‘bear friendly’ remix’ ”

Atjazz mantis recordings : “ «This record proves the talent pouringout of the miso camp, this is very carefully selected music. The original version is out of this world madness yet still cool as you can get, and Webster’s remix well, it’s one of very few tunes that will stay in my crate for life. And I’m not being biased ….A timeless classic, it will be in my box for ever» ”

Behrouz cielo nyc etc : “ «Really digging charles mix as usuall and the sub kid rmx and the dub. Great package. Will play all three different mixes for sure. Thank you, keep it coming. Peace, Behrouz» ”

Ben Watt buzzin fly : “ «not modern, not old, just house aces. You should be very pleased.» ”

D.J Simbad Raw Fusion : “ «Yes yes yes…thank u so much 4 sending that absolute killeeeeeeeeeeeeeeeer ….Original is a classic, luvin’ da vibe &rawness of it, and da remixes r totally RIDICULOUS Basically u can play da 3 mixes in a good and long deep house set coz dis shhh is dope» ”

Danny Krivit 718 sessions NYC: “ «Keeps building with a wonderful depth, love it » ”

Dave Hernandez bossanova L.A: “ «Love the new Miso promo 009 I’m loving the sinister warehouse feel of the Enochson/Sub. Kid remix I love how the track with it’s synthy stabs slowly builds to the epic siren synth & 303 lines that’s gonna take the party to the next level Also digging the Charles Webster mix DEEP His mix takes the warehouse vibe into a Smooth and buttery sound that CW knows how to do so well…perfect mix to take the crowd into another time and space Great package all around Will definitely play » ”

Dean DeCosta bpm mag/ SoCal : “ » Miso continues to forge on into deep, uncharted electronic seas with this classy devil Markus and Sub Kidprovide the weirdness and CW butters up the dancefloor in fine fashion. Hats off to all involved It goes without saying, but Miso has my undying support » ”

Dixon innervisions : “ » will play the charles webster mix a lot. I want more tracks like this in my case » ”

DJ Deep deeply rooted : “ «Thanks a lot for sending this over, i really like Markus original mix as well as your CW remix, and Subliminal Kid’s mix is real cool too » ”

DJ Pippi Pacha Ibiza etc : “ » i have the Promo of These Won’t Put Me Down and i Love It especialy The Original Mix …. so much Deep Feeling Full Support thank you so much for the Great Music Charles always love it your’e sound Hope to see you this Summer in Ibiza 2008 » ”

Fish Go Deep Defected etc : “ «love all the mixes a real big one will feature on our radio show and on the dancefloor played it at the weekend went down very well cw mix my favorite…» ”

Gilles Smith secret sundaze/t: “ «Definitely got my thumbs up. CW mix is the pick with its warm, glowing feel and cool bassline.Will play» ”

Jazzanova Sonar Kollektiv : “ «Your CW mix is so airy and with a great feeling, rhythm elements are changing and create this unique Charles Webster Vibe on the dancefloor. I love it.» ”

Jimpster freerage/the bays : “ «Great to see Miso back on a roll with the last few killer releases, and this one hits the spot once again.Charles’ mix is the one for me with it’s lush rolling vibe and hypnotic beats. Love this » ”

Kiko Navarro Pacha Recordings: “ ‘All mixes are really good,the orig is a bit strange and freak but thats the good thing, very original sound…Love the «down» voice, and how they used,the remix is the one for the clubs, straight to kill of those who likes Carl Craig and fans of the nu-electronic sound. Mr Webster did his own thing again, a serious deepah remix, do it with tenderness and dedication, maybe this is the best for me as im very into it but also i like the remix to play it out…Full support to Miso Bears : » ”

Pepe Bradock atavisme : “» I really like the 12″ been playing it specially the enoch sub kid remix been mixing it with old school hip hop «”

RePublik waterford : “ «Very strong ep with the original and the charles webster remix being,our favourites. 1. Original – Nice build in the track and a nice use of the catchy vocal hook. It changes to a slightly techier track in the middle and will work on the dancefloor. 2. Remix – Techier version with this remix and progresses into an acid sound later in the track. Should work on house and techno dancefloors. 3. Cw Mix – This is typical of a Charles Webster mix in that he makes the track very soulful but in his own way. He uses the vocal very subtlety in the track and this track should rock many dancefloors.» ”

Roland Appel Sonar Kollektiv: “ «your CW rmx is my fave…it is deeep on the floor….» ”

Stephan Mandrax shakedown : “ «Love the Charles Webster mix, dopegroove, playin’ it and lovin’ it» ”

Tedd Patterson NYC : “ «yo, Dis good I’m really liking the sub kid dub… hot stuff there.» ”

Willi Graff cielo nyc / pacha: “ «Thanks so much for this release. Its not often you find records like these. The sampling is great The versions are all good. I played your CW remix at Cielo and it sounded superb. The enoch/sub kid remix is also excellent when i played it towards the end of the night at Cielo the people went crazy. Its really a great single.Id expect nothing less from Miso.» ”

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At a time when hundreds of cookie cutter tracks get released every week, the Martin Brothers are taking a stand. Justin and Christian Martin team up again on dirtybird perfecting the style they created back in 2006 – hyphy house. Anchored by greasy, dirty basslines and swirling, heady synths, hyphy house is the bastard child of Bay Area hip-hop and dirty house. It s a cross between 20 inch rims and rocket boosters that could only come from the freaks in Oakland and San Francisco. On the Rocket Surgery EP, The Martin Brothers draw inspiration from werewolf flicks, rapper E-40, 50’s sci-fi radio and Bobby McFerrin. Dum is for heaving dancefloors threatening to buckle. From its opening synth line to its endlessly rising and surprising second half, this track bristles with euphoric momentum and hilarious vocal funk. Full Moon takes a mournful wolf howl and flips it into a full on Martin Brothers chopped melody line, complete with punchy lows and skeleton xylophone accents. The breakdown will have you reaching for your silver bullets. Rocket Surgery explores a complicated melodic struggle between its wistful main theme and booming sub hits. After a spirited battle through the buildup, the 808 wins An avalanche of thunderous descending bass notes reign gloriously through the end of the track, anchored by gut wrenching growls and echoes of the departing melody

DBIRD018 in the media

James Flavour Dirt Crew : “Dum is dope guys Like also b2 but Dum keeps the ball rolling ”

M.A.N.D.Y. Get Physical : “ I can t stop loving your stuff – the new Martin Brothers is outstanding. Played three tracks at each of the last 6 usa gigs – the hip hop roots are doing a fantastic job. Finally we got some street credibility while playing this record; ”

2000 and one Intacto : “the first track on the b1 side man o man, what a trip. nice dark voice and howling wolfs. played this at a festival last sunday, during the sunset: thanx gr, dylan”

Alland Byallo Liebe Detail, K: “ Fine funk from the Martin Brothers All the tracks are solid bangers in the DB styley ”

Cass Deadset : “ What s nice about the Martin clan is that they do different without sacrificing floor power. A great EP that means there s a trip to the stationary cupboard and gold stars for everyone. ”

De:Bug GER : “Was f r ein Killer. Einfach die B sse so brummen lassen, dass man eh nichts anderes mehr h rt und irgendwie aus einem sehr geraden Track alles an Elektrogef hl herauskitzeln ohne dabei die Straightness oder Tiefe zu verlieren, das ist die gro e Kunst von «Dum», das das Chigagouniversum um eine brilliante Nuance erweitert. Auf der R ckseite wird es mit «Full Moon» so galaktisch schr g, dass einem kaum noch einf llt, mit was man dieses Wolfsheulen eigentlich vergleichen soll. Sehr versponnen aber absolut einleuchtend und mit einem magischen Kick. Auch der pathetische Slammer «Rocket Surgery» am Ende macht klar, dass man hier eine ziemliche Ausnahmeplatte vor sich hat, die sich an keins der Gesetze h lt, aber trotzdem rundum abr umt.bleed”

Dirk Diggler: “ Great release Fav. is «Full Moon»”

Dj Misk AltroVerso / IT : “what can i say simply grooovy i’ll play the entire ep because is lively and involving as the music i prefer.”

Graeme Sinden Kiss Radio, Dom: “ New dirtybird slaps Put me down for supporting Dum. That tune s siiiiiick bruv ”

James Talk – MATE: “Dum is so hot I love it ”

Jamie Jones Crosstown Rebels : “Very different, and Im sure it will be huge. I will be trying out rocket surgery. Great production. cheers.”

Jesse Rose Frontroom : “Martin Brothers should change their name to Ultra Bad Boy Brothers cuz that is what they is Dum and Full Moon are Big Hitters Will be charted in Top 3 ”

Jesse rose Frontroom : “I LOVE THE MARTIN BROTHERS. ALBUM PLEASE ”

John Acquaviva: “Twisted stuff bro ”

Layo: “great label, always great music”

Philip Sherburne Earplug/WIRE: “ Thanks for the Martin Bros tracks, they’re sounding really fresh. Full Moon is awesome, love the tympani and the weird sense of bounce to it. ”

Ranier Weichhold Great Stuff: “Dum is amazing. Thanks.”

Ryan Elliot Ghostly : “ FULL MOON IS THE BOMB ”

Sebo K Mobilee : “i have an old electro record from 1985 or something like that by dr dre and the wreckin’ cru called the surgery. the cover and the sound reminds me on that one. the funk is back nice one. ”

Smokin Jo: “Thought the Ep was very cool, Rocket Surgery was my favorite and Full Moon too. ”

Switch: “I’ll play Dum out, I reckon.”

Tom Mangan: “it’s Full Moon for me all the way, nice one. ”

Tommie Sunshine: “I have played this at every gig I have DJ’ed since you sent it to me. fuck yeah ”

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Dub Taylor a.k.a. Berlin based producer Alex Krueger is without a doubt one of the most respected producers in the electronic music circuit. His is a legend in the community for his top-notch sound programming and versatile live performances. Leakage and Nano are taken from the CD version of the upcoming Dub Taylor album on Opossum Recordings, which will violently hit you pretty soon. For those who still go for Carl Craigs brilliant remix of Theo Parrishs “Falling Up” – you will definitely fall in love with Leakage. This track was originally intended to be the intro of the album and after listening to it for a while, we developed an appetite for a extended version. Now, this EP will be the only possibility to get it on vinyl. Nano is a deep pumping percussive tool, perfectly suitable light the fires of the upcoming Open Air season and comes with weird and trippy sequences in the break. And if you want to screw up some ravers brains in the peaktime, just throw Trickbeat and see whats crackin … Hokes Pokes Baby

OPSM017 in the media

Adultnapper Audiomatique: “The A2 and B1 are quite cool. Nice dark grooves. Will definitely work late night. Thanks.”

DJ Misk AltroVerso / IT : “always inspired the alex kruger’s music. i really like. playlist.”

James Flavour Dirt Crew : “very cool record by our main man alex krueger awesome ”

Karotte CocoonGreat Stuff : “klasse platte. b1 ist der hit f r mich, aber auch a1 ist gro . full support.”

Laurent Garnier F-Com : “cool track on side 1 will try it out ”

philip sherburne: “yeah «trickbeat» is heavy — dark atmospheres, «techno vocals,» the works. great fun. the B1 is really nice as well, in a very different vein — richer, more melodic, a little more chilled, and when it kicks in after the break, it’s pure power.”

Raveline GER : “Im Vorfeld des in B lde erscheinenden Albums schickt man diese drei Tracks von Dub Taylor alias Tigerskin alias Alex Krueger ins Rennen um die Gunst des trendbewussten Minimalisten. Leakage , der Introtrack des Longplayers, liegt hier in einer erweiterten Version vor: Ein quirliger, von Stringf den und jackender Hookline durchzogener Track, dem man Kruegers Handschrift deutlich anmerkt. Dunkler und rhythmuslastiger geht es das folgende Nano an, dessen Congas von berraschend auftauchenden M rderb ssen berfallen werden und dessen rauschende Hats und FX in unheimlich schimmernde Sph ren f hren. Trickbeat legt schlie lich an Tempo zu und klickert und klatscht sich mit einem Schuss schwarzer Magie, wie durch das Hocus Pocus -Vocal deutlich wird, durch die Nacht.”

Shlomi Aber Beasone : “im actually playing everything from this label lately , again another cool track .”

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Dub Taylor a.k.a. Berlin based producer Alex Krueger is without a doubt one of the most respected producers in the electronic music circuit. His is a legend in the community for his top-notch sound programming and versatile live performances. Leakage and Nano are taken from the CD version of the upcoming Dub Taylor album on Opossum Recordings, which will violently hit you pretty soon. For those who still go for Carl Craigs brilliant remix of Theo Parrishs “Falling Up” – you will definitely fall in love with Leakage. This track was originally intended to be the intro of the album and after listening to it for a while, we developed an appetite for a extended version. Now, this EP will be the only possibility to get it on vinyl. Nano is a deep pumping percussive tool, perfectly suitable light the fires of the upcoming Open Air season and comes with weird and trippy sequences in the break. And if you want to screw up some ravers brains in the peaktime, just throw Trickbeat and see whats crackin … Hokes Pokes Baby

OPSM017 in the media

Adultnapper Audiomatique: “The A2 and B1 are quite cool. Nice dark grooves. Will definitely work late night. Thanks.”

DJ Misk AltroVerso / IT : “always inspired the alex kruger’s music. i really like. playlist.”

James Flavour Dirt Crew : “very cool record by our main man alex krueger awesome ”

Karotte CocoonGreat Stuff : “klasse platte. b1 ist der hit f r mich, aber auch a1 ist gro . full support.”

Laurent Garnier F-Com : “cool track on side 1 will try it out ”

philip sherburne: “yeah «trickbeat» is heavy — dark atmospheres, «techno vocals,» the works. great fun. the B1 is really nice as well, in a very different vein — richer, more melodic, a little more chilled, and when it kicks in after the break, it’s pure power.”

Raveline GER : “Im Vorfeld des in B lde erscheinenden Albums schickt man diese drei Tracks von Dub Taylor alias Tigerskin alias Alex Krueger ins Rennen um die Gunst des trendbewussten Minimalisten. Leakage , der Introtrack des Longplayers, liegt hier in einer erweiterten Version vor: Ein quirliger, von Stringf den und jackender Hookline durchzogener Track, dem man Kruegers Handschrift deutlich anmerkt. Dunkler und rhythmuslastiger geht es das folgende Nano an, dessen Congas von berraschend auftauchenden M rderb ssen berfallen werden und dessen rauschende Hats und FX in unheimlich schimmernde Sph ren f hren. Trickbeat legt schlie lich an Tempo zu und klickert und klatscht sich mit einem Schuss schwarzer Magie, wie durch das Hocus Pocus -Vocal deutlich wird, durch die Nacht.”

Shlomi Aber Beasone : “im actually playing everything from this label lately , again another cool track .”

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First it entered Buzzin Fly Radio Charts of the year 2007, then Compost licensed this track as well as other famous compilations: “Eiszauber” made it s way and catapulted itself into the playlists of wellknown DJ s and housefans. “Motorcitysoul” Stir15 & Lofi Stereo and “Lawrence” Dial , just to mention two of them, which you might know and i don t think i have to tell you more then. We are very excited So look forward to this fantastic remixes

DIYNAMIC014 in the media

Adultnapper Audiomatique: “Damn. Motorcity Soul remix sounds brilliant and the Stimming is deeeeeep. Love it. Slamming release. Will get big plays if its in the package I wait with bated breath. : ”

Ben Mono MCS : “ Yeah these guys rock, taking the original onto the next level. ”

Ben Watt buzzin fly : “ Great original, sympathetic mixes. Class ”

Danny Howells: “ Kerrrrrwality Excellent Thank you ”

Deetron Lawrence : “ Great EP, both mixes are really strong, classic sound Will play both out for sure. ”

DJ Misk AltroVerso / IT : “the motorcitysoul remix is fantastic excellent chords and cool melodic drive. the lawrence remix is perfect for early morning hours.”

DJ Yellow MCS : “ Both remix are great but my fav is def the Motorcity soul remix… sweet and very sexy duder… love love love this. ”

Gregory Dowling Fish Go Deep : “Like the Motorcity mix very detroit reminds me of r thyme,lawrence moody and deep as always. ”

Hernan Cattaneo: “ MCS Mix Excellent Top Ten stuff ”

Jimpster Freerange : “ MCS Mix This is an absolute monster A stunning remix which keeps all the great vibe of the original but jacks it up to 11 for some dancefloor pleasing mayhem. Quality through and through. ”

Jimpster Freerange : “This is simply awesome. A really tricky track to remix but the MCS boys have totally hit it with this one. Lush and groovy but powerful enough for peaktime plays too. Love it. cheers, jamie ”

KIKI bpitch control : “ Sorry guys… i ve completely run out of superlatives for Diynamic… full support as always ”

Knee Deep: “ Great rework by Motorcitysoul, full support ”

Lars Beehrenroth Deeper Shade: “»this time I’m torn between the very emotional and super deep Lawrence rmx and the dirty groover by Motorcitysoul. both mixes will find their time in my sets and radio show STRONG RELEASE»”

Laurent Garnier F-Com : “ Super funky number, full support ”

Layo: “like as always with this label”

Layo Paskin Layo & Bushwacker: “Great stuff Love the Lawrence mix. ”

Luca Bacchetti wagon repair : “ Excellent remixes I can imagine Lawrence remix this sumer during the Ibiza dawn… I love it pathos ”

Manuel Tur Compost black : “Tolle Remixe f r den bisher sch nsten Diynamic Track, gefallen mir beide sehr gut, aber Lawrence nimmt mal wieder den Pokal mit nach Hause.. gro es Tennis aus Hamburg » ”

Mathias Schaffha ser Kompakt : “May Charts # 4”

Matthias Schaffh usr Ware : “»klasse platte, beide mixe sind sehr gut, berraschenderweise finde ich den motorcitysoul-mix noch einen dreh charmanter richtig zauberhaft… werde ich spppielen. Juni Charts #04 «”

Nic Fanciulli: “Motorcitysoul mix is amazing ”

philip sherburne: “unsurprisingly, top work here — lawrence’s is every bit as lush and moody as you’d expect, but with a hidden sense of power behind it… it may be melancholic, but it’s not lightweight motorcitysoul’s mix is great as well — lush but forceful. ”

Rainer Trueby : “Still preffering the mighty original but nevertheless good work from both remixers. ”

Roger Sanchez: “Motorcitysoul bring the heat. Awesome. ”

Satoshi Tomiie: “ LOVING BOTH ”

Sebo K Mobilee : “the lawrence mix is great thanks.”

Shur I Kan: “Just came back from a weekend gigging, 20 promos in email box, this is one I wanted to open. Not disappointed. thanks ”

Steve Bug: “I like the Lawrence mix, nice and deep ”

Will Saul Simple : “»Wow you really are spoiling us The Lawrence remix is truly beautiful. One the best pieces of music I have heard all year. This will remain an ever present in my sets. What can I say about the motorcitysoul remix breathes new life into the original stunning – they re my boys This is now an anthem…… I would say you picked well with the remixers something for every house occasion: «”

Yannick Trickski : “This thing is totally omg… will play both mixes and chart it… wow ”

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Paul Hammond is a London-based producer and founder of the label Real Soon. He has been making records since 1984 originally with industrial avant-funk group A Primary Industry and then from 1989-1998 as Ultramarine in partnership with Ian Cooper. Paul’s musical roots were established in the early 1980s listening to the new wave funk & electronic experiments of A Certain Ratio, 23 Skidoo, Cabaret Voltaire, The Pop Group, New Order, Gang of Four, The Slits, The Raincoats and the broader independent scene of the time typified by labels such as Factory, Rough Trade and Les Disques du Cr puscule. Ultramarine’s early output was on the seminal Brussels-based label Les Disques du Crepuscule. The group first gained serious attention with the album ‘Every Man and Woman is a Star’ Rough Trade, 1992 and this led to Ultramarine signing to Warners sub-label Blanco Y Negro under the A&R control of Rough Trade founder Geoff Travis. Ultramarine recorded two albums for Blanco – United Kingdoms 1993 and Bel Air 1995 – and during this period toured widely in Europe and the US including the ‘Communion’ tour of the US in 1992 with Orbital and Meat Beat Manifesto and a support slot on Bj rk’s ‘Debut’ US & European tour in 1993. Ultramarine parted company with Warners in 1997 and recorded the album ‘A User’s Guide’ 1998 for New Electronica. Since ceasing operations with Ultramarine in 1998, Paul established the label Real Soon in late 2002. The label was primarily an outlet for his own material but quickly developed to include other artists from Europe and the US, taking in various flavours of deep and adventurous House and Techno music.

ATC021LP in the media

2000 and one Intacto : “detroit influenced tracks, kinda in the style of octave one. nice for the after hour: ”

Debug GER : “Unter seinem Pseudonym Further Details hat Paul Hammond bislang nur zwei EPs auf den sich perfekt erg nzenden Labels A Touch Of Class und Real Soon ver ffentlicht, aber als Teil von Ultramarine ist er alles andere als ein Unbekannter. Die 9 deepen Housetracks dieses Albums zeigen definitiv eine Vorliebe f r einen Sound, der f r mich sehr viel von den ersten Zeiten hat, in denen Detroit nach England kam. Dieses Spiel mit sehr melodischen Nuancen, warmen Beats und vielen kleinen Elementen, die aber dennoch nicht berladen wirken, das Gef hl in einer langen Tradition zu stehen, aber dennoch etwas zu machen, das ganz f r sich steht, und die sehr elegante Weise den Tracks etwas Phantastisches zukommen zu lassen, das fast wie von selbst aus der Stimmung entwickelt wird. Sehr eigene, sehr brilliante Platte, die definitiv nicht nur f r Housekids eine Entdeckung sein wird, sondern auch f r alle, die mit Labeln wie Irdial, A.R.T. und hnlichem gro geworden sind. bleed ”

Debug GER : “ Unter seinem Pseudonym Further Details hat Paul Hammond bislang nur zwei EP’s auf den sich perfekt erg nzenden Labels A touch of Class und Real Soon ver ffentlicht, aber als Teil Ultramarine ist er alles andere als ein Unbekannter. Die 9 deepen Housetracks dieses Albums zeigen defininitiv eine Vorliebe f r einen sound, der f r mich sehr viel von den ersten Zieten hat, in denen Detroit nach England kam. Dieses Speil mit sehr melodischen Nuancen, waremn Beats und vielen kleinen Elementen, die aber dennoch nicht berladen wirken, das Gef hl in einer langen Tradition zu stehen, aber dennoch etwas zu machen, das ganz f r sich steht, und die sehr elegante Weise, den Tracks etwas Phantastisches zukommen zu lassen, das fast wie von selbst aus der Stimmung entwickelt wird. Bleed ”

DJ Gio MC-505: “Paul Hammond, the producer behind Futher Details, is a guarantee. Some examples «Who’s To Say «, a point of contact of lounge and house, «Evidence», deep-techno-house, «At Some Point» and «Soul To Wherever», like chicago-house with Rober Owens influences. Class music for class people.”

Dj Mag UK : “The work of former Ultramarine member Paul Hammond, this doublepack worships at the altar of US house. Night Stretches Out and In The Air are jazzy, soulful grooves, Hammond opts for a more melancholic vibe with Who s To Say and Evidence and the bumping rhythm of At Some Point could pass for a Theo Parrish jam. Featuring raw, uncomplicated production throughout, Bones captures the true spirit of deep house. Richard Brophy 4/5 ”

Giles Smith DJ MAG UK : “Some cool sounds here, and very much like the old warmth here as you would expect from ATC. Fave tracks here is the slick groover «Who’s To Say», «Them Old Bones», and ”

Raveline GER : “»Old Bones» nennt Paul Hammond sein neues Album. Das passt. Denn der Engl nder ist in der Tat ein alter Electronic-Music-Haudegen. Schon seit den fr hen achtziger Jahren macht er Platten: Zuerst als wichtiger Bestandteil der Combo A Primary Industry, anschlie end zusammen mit Ian Cooper unter dem Pseudonym Ultramarine, zwischendurch auch mal im Alleingang unter seinem b rgerlichen Namen und seit mittlerweile einer guten Dekade haupts chlich als Further Details. Rund zwei Jahre hat er sich f r die Arbeit an seinem Deb talbum, das nun auf A Touch Of Class Records erscheint, Zeit genommen. Er hat Tracks angefangen, sie liegen gelassen um Abstand zu gewinnen, ihnen einen nat rlichen Reifungsprozess geg nnt und dann mit Bedacht weiter an ihnen gefeilt. Diese entspannte, ungezwungene Arbeitsweise h rt man dem Werk zu jeder einzelnen Spielminute an. Hier dr ngt sich nichts unangenehm in den Vordergrund, nichts wirkt deplaziert oder aufgesetzt. Jeder Track erz hlt kleine Geschichten, die den Zuh rer tief in gehaltvolle Deephousewelten f hren, mal in sanften Jazzkonstrukten wiegen oder durch feinen Funk f hren. Sehr deep und minimal. Sehr vertraut einerseits und doch irgendwie komplett anders, als man es zurzeit von vielerorts her zu h ren gewohnt ist. 5 Points Achim Raveline, Mai 2008 ”

TAZ GER : “ Im Ohrensessel Eigentlich k nnte man alles, was heute an House Music produziert wird, Filter House nennen. Die Musik dockt an das immergleiche Bumm-Tschack-Kontinuum an, sozusagen an die «Old Bones», die dem Deb talbum von Further Details alias Paul Hammond aus London seinen Titel geben: an eine Grundstruktur, die sich seit den Urspr ngen in den 80er Jahren kaum ver ndert hat. Doch genau in dieser Einfachheit sind St rke und Vielseitigkeit des Genres angelegt. Wer nach der ber zwanzigj hrigen Geschichte einer so basalen Tanzmusik House produziert, muss filtern: etwa das eigene Wahrnehmungsraster reflektieren und Traditionslinien festlegen, an die man ankn pfen m chte. Der Zugang von Paul Hammond ist der einer Verfeinerung. Die «Further Details» aus seinem Projektnamen f hren dabei direkt zu den Wurzeln der Musik. Die Einfl sse von Soul, Jazz und Funk schwingen bei ihm immer mit. Damit berspringt Hammond auf recht elegante Weise die unmittelbare Vorstufe von House: Disco. Seine St cke geben keinen Tanzimperativ aus, sie wollen zun chst einfach geh rt werden. Das alte Skelett der House Music setzen sie f r einen weichen, organischen K rper neu zusammen. Einen K rper, der sich gerne auch mal gem tlich zur cklehnt. Der Begriff ist nat rlich schwerstens belastet, aber muss «Lounge» im Zusammenhang mit elektronischer Musik immer gleich ein Schimpfwort sein Paul Hammond hat seine Filter so justiert, dass er der guten alten Grundstruktur den neuen Modus des Zuh r-House abtrotzt. Und der klingt wunderbar. ”

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Hello Repeat welcomes the new year with a long awaited 12 by Cabanne. It’s a while ago since he released the last 12 on his own imprint “Minibar Music” in 2006, so we’re more than happy to present his follow up on Hello Repeat. With “Keep Going” and “Tr s Chold», the french confirmed jazzmann delivers two funky, bleepy, tracks and goes a little deeper again. Can’t Stand Keep Going

HELLO011 in the media

Adultnapper Audiomatique: “Cool Dj tools. will work great in the mix. B1 is my favorite. Bit more musical. ”

Dj Misk AltroVerso / Italy : “kind minimal house, i will play b side.”

Mike Shannon Cynosure, Wagon: “Excellent tracks from Cabanne One of my favorites from him to date. keep going ”

Only For Dj’s Mag F : “Le funky fran ais fait sur ce maxi ce qu’il sait faire. Un groove deep-techy, des cuts, des samples jazzy, des sons freaky, et un esprit dancefloor original qui remue. ‘Tr s Chold’ en B a une superbe rythmique. On adore LU ”

Raresh: “wonderful record once again from the hello repeat crew .. smoothy grooves for all the ears .. thank you cabanne”

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LIMITED RE-PRESS of this already classic HENRIK SCHWARZ remix. one of the biggest tunes in 2007. BE FAST

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